Friday, May 8, 2009

Great Photo websites and photographers_Robert Seale

This is in the first of several blog entries where I plan to talk about and showcase talent, both more experienced and up and coming photographers that I feel people need to see and learn from.

I wanted to kick this off with Houston, Texas based photographer Robert Seale. Robert has been recently profiled by Adobe as an Adobe Success Story and is a much honored and well known portrait and sports action photographer.


When I found out recently that Robert Seale, had started a blog. I felt compelled to let people know.


I know that another photographer starting a blog is not a big deal as there are a lot of them out there in the blogosphere, but when someone of Robert's photographic talent and stature feels he has something to say or offer via a blog, I think photographers, young and old need to take note.

I believe that so much of what we do in life depends on our interactions with other humans, I feel the best way we can learn and grow in our personal and professional life is by giving back, teaching and sharing with others. Those people who do this, never seem to lose that creativity and passion that keeps them at the top of their respective professions.

I was fortunate enough to be a a photo editor at the Sporting News while Robert was a staff photographer and I can tell you that he is an exceptional portrait photographer. He will downplay his other photographic skills such as sports action, but having been his editor I can tell you he is no slouch at sports actions and I have no doubt would be successful in whatever aspect of photography he chose to pursue. But it is his portrait work which he clearly enjoys and which I want to focus on.

What Robert does so well and which is a common trait among great photographers is that he is a "problem solver". He figures out through, planning, preparation and hard work how to execute his photographic ideas. This planning and preparation allows him to simply fine tune things during the shoot and to overcome obstacles that will inevitably arrive as the shooting process progresses. The old saying "An ounce of prevention is worth a pound of cure" is true. Those photographers who plan and prepare have a much greater success rate than those that don't.

Click here to see his thought processes where he took an idea that had been kicking around in his head for several years and finally put it to good use when the opportunity presented itself.

Another aspect of good photographers is that many of them have what I like to call an "idea log" For some this is a more formal list that they write down, while for others it is a list they keep in their heads. But either way it is the pathway to good photographic execution. For example the great Sports Illustrated photographer Walter Ioos keeps a journal of "unique" backgrounds that he sees in his travels, backgrounds with interesting texture or color etc. and then when he has a portrait shoot he will try and match up the subject with a background that he feels gives him the photographic vision he is looking for on that particular shoot.

Robert had a lot of ideas as well that he catalogues. When you do this, it makes it easier for things to come together when you are trying to come up with something unique. It also helps as you try and get your vision and idea/content of a photograph across to those viewing it.

Sometimes the ideas are put to use and sometimes they don't work out, but it is important to always have them catalogued in some fashion to increase your odds of success.

I remember an idea the Robert had to photograph major league pitcher Dontrelle Willis, currently with the Detroit Tigers, and at that time with the Florida Marlins. Dontrelle has this really high kick during his windup, when he pitches and Robert had this idea to photograph him standing on one leg in his high kick stance with a flock of Pink lawn flamingoes standing on one leg. It was a great idea and would have made a great portrait, but as I remember , (correct me if I'm wrong, Robert) the idea was nixed by his agent and the team who didn't like the idea of their star pitcher being compared to a pink flamingo.

But you get the jist. Catalogue those ideas, write them down, record them or whatever it takes to remember them. Ideas are fleeting and sometimes come at weird times. But they are incredibly useful later on when you suddenly need them. Personally I'm still waiting and hoping to see how the flamingo idea will present itself in some future Robert Seale portrait.

Also another way to grow, and get great ideas is to look at the work of others. Writers, directors, artists and photographers all have great ideas we can all learn from. I frequently encourage young photographers and many of the staff photographers that I work with to look at other photographers work. I tell them, it will refresh your batteries, re-charge your idea bank and most importantly you might just actually learn something you didn't know.

So do yourself a favor and hop on over to Robert Seale's website and blog and see what you can learn. Follow this link.

Also Robert and his good friend Brad Mangin recently visited the Baseball Hall of Fame in Cooperstown, New York, where they were asked to speak at the first annual “Baseball Photography Education Day.” They gave two different presentations during their visit to the museum: a presentation on the history of baseball photography through the years, and another program, delivered together, of their work.

Below are a couple of Robert's baseball images and here is a link to a slide show of these and other baseball images. check it out here.



Monday, April 20, 2009

The "Detail Shot" and the "Details in the Shot"

One of the most overlooked aspects for the beginning and amateur photographer is the "detail shot" And the "Details in the Shot". For years I have been preaching to photographers the value in looking for the details. And here is why.

Frequently when photographers first start out they look to take photos of things that grab their eye, something that has an emotional or visual connection to them. Then they start to learn about, exposure and framing and lens choice etc. and pretty soon they forget about what's within the photo they are taking.

And ultimately that is what is the most important thing. What is within the frame of the photograph we took. What is our emotional connection, what will be the emotional connection for the viewer. What is the importance, the beauty, the context and ultimately the content.

So what does this have to do with detail shots? Well inside the frame you see in the viewfinder of your camera is the image you are trying to take. You usually have a main focus of interest and then other items, people or things in the frame that are part of the image as a whole, but really aren't what caught your eye or what you may be trying to focus on.

So I try to teach young photographers and remind others that you always need to look for the details in the situation you are photographing. Whether that is to look for details in the event that can add to the over Photo "take" of the event or for the details within the frame that can make the photo more visually interesting. The details that can help make the composition inside the frame more interesting or that can add more information to the viewer as to what this person or event or situation is about.

So here are a few photos from my archives that hopefully will show you what I am talking about......


This is a photo from a diabetes conference where I looked for a detail photo that I thought told the story much better than an overall shot of hundreds of people and booths.


This is a detail photo of the Utah Jazz's Andrei Kirilenko's knees after a playoff game. I thought this photograph showed as much about what a hustle player he is, diving after loose balls and defending, than any action shot I took from the action on the court.


This is a portrait of my daughter, but I included the red rock behind her to her right as an icon to show a sense of place and to document where she was when the photo was taken, and I think it makes the photo more visually interesting.



I used a long lens to try an make the hair on the lead singer stand out even more. This detail made the image stronger and I felt would connect with the viewer of the image better.


This is a portrait of the CEO of EnergySolutions Steve Creamer who is a big man in person and has a strong take-no-prisoners type personality. I chose to include the detail of his hands in the portrait to try and help convey some of strength of his personality in the photograph


This is lead singer Jim Lindberg of the group "Pennywise". At the show he kept wrapping the mike cord around his arm, I thought this was an interesting detail that help add to the moment and to his personality.


This is a recent portrait of a former football player for the Nebraska Cornhuskers. I tried to light it to make him the focal point, but also include the details of his football career to quickly communicate to the viewers of the photo what was the focus of this story about this man.


These next two photos are a couple of my favorite portraits, they are of actor Crispin Glover, who has been in a lot of movies and is an independent film maker. I included the full frame down to his hands in his pockets in this frame as the way he dressed and carried himself is a major part of who he is and I wanted to include that in the portrait.


In the this portrait I wanted to make his "eyes" be the focal point of the frame. He had these piercing eyes that seemed filled with ideas and energy and I wanted to try and convey that in the photograph.

So, hopefully you can see the value and importance of details in a photograph. It doesn't really matter if you are covering a news event, a wedding, a sports event or doing a portrait of a famous person or your own children, looking for and including details is an important part of making a successful image. So after that thing that catches your eye grabs your attention and makes you drag your camera up to your eye, make sure that you remember to look at all the details within and without your frame to try and take your image to the next level.

Monday, April 13, 2009

Using the news Pocket Wizard TT1 and TT5

About a month ago I received some of the first versions of the new Pocket Wizard TT1 and TT5. This is very new state of the art cutting technology from a company named LPA who make the Pocket Wizard family of electronic transmitters and receivers for triggering flashes and cameras remotely. For more information on their products click here.

Anyway these technological marvels allow the photographer to attach the TT1 to a camera and then mount their flash on the TT5 and it will transmit all the TTL functions of the camera and flash electronically without the need for any cables or cords. This is great for those of us who like to use flashes off camera or hide them behind bushes on around rocks and don't want to drag along any more gear on a hike than we need to. It's also even better news for those of us who have to shoot at less than ideal times of day when the sun is at it's brightest.

Here is how they describe them on the company web site:

Now you can get perfect off-camera flash photos in any environment.
Around corners
Out-of-sight
Bright sun

With these additional features:
Dedicated Canon compatibility
On-camera hot-shoe
Up to 8 fps
Standard X-sync Speeds up to 1/500 sec. with almost any flash
FP/High Speed Sync up to 1/8000 sec.
Triggers remote flash or camera
Upgradeable and Configurable
Compatible with any PocketWizard for standard triggering

On a trip last week to several national and state parks in the southern part of the state of Utah. I had a chance to put these little wonders through there paces out in the "wild". I might want to mention that these new gadgets give you the ability to shoot with your flash up to the highest shutter speed of your camera, just as if the flash were attached to the hot shoe of your camera. They also allow for the ability to use what LPA refers to as "Hyper Synch" mode for other flashes and strobes not attached to the hot shoe allowing the photographer to use a higher synch speed than your camera usually will allow. For a more complete technical explanation of this and how it works, click here.

The TT1 & TT5 I was using have the latest software and firmware installed, as these little wonders can be upgraded via a USB cable with software downloaded from the company website.

Here are some photos with details on how I used the Pocket Wizards on each shot.

My daughter Stormie at Kodachrome State Park in bright sunlight (below). Although I did not use the hyper synch or higher shutter speed. The off camera flash really helps the photo.
Camera details: Canon EOS-1D Mark III
Lens (mm): 20
ISO: 100
Aperture: 5.6
Shutter: 1/250
Flash Canon 580 EXII -2/3 stop

This is my other daughter Mariah at the same location (below)
Camera details: Canon EOS-1D Mark III
Lens (mm): 64
ISO: 100
Aperture: 9
Shutter: 1/250
Flash Canon 580 EXII -2/3 stop

Stormie (below) at Hickman Bridge, a natural sandstone arch at Capitol Reef National Monument, Utah. Here I used a higher shutter speed to give me a shallower depth of field. The pocket wizard combo worked like a charm and they are so light that it was easy-peasy-lemon-squeezy to hike with them up the mile and half trail with just one camera body, a flash and the two pocket wizards.
Camera info: Canon EOS-1D Mark III
Lens (mm): 16
ISO: 100
Aperture: 3.5
Shutter: 1/800
Flash Canon 580 EXII

Next came a steep climb down into Bryce Canyon National Park's Navajo Loop Trail to a few very tall spruce trees try to reach up to the light at the top of canyon. Using my pocket wizards I was able to fill in the shadows of at the bottom of the canyon and get great photos of my daughter Mariah (below) and the trees without having to overexpose and blow out the colors of the sky and rocks at the top of the canyon.

Camera info: Canon EOS-1D Mark III
Lens (mm): 16
ISO: 400
Aperture: 3.5
Shutter: 1/125
Flash Canon 580 EXII -2/3 stop

These next two photos show how I used my pocket wizard to fill in the trunk of the tree with my Canon 580 EXII dialed down 3 stops, for just a very small amount of fill and thereby not blowing out the sky and colored rock formations called "hoodoo's" at the top of the Canyon.

Camera info:Canon EOS-1D Mark III
Lens (mm): 16
ISO: 400
Aperture: 11
Shutter: 1/125
Flash Canon 580 EXII -3 stop

No flash was used on this frame.
Camera Info:Canon EOS-1D Mark III
Lens (mm): 16
ISO: 400
Aperture: 8
Shutter: 1/125
This was not the first time I have used my pocket wizards TT1 & TT5 since I purchased them, but I wanted to see how well they would work in such a rugged and very cold environment, (wind chill made the temp around 15-20 degrees) outside on the fly without studio strobes in the "wild" in a much less controlled environment. My conclusion. They Rock!!! I am very impressed at how easy they were to use, they are so light and can be quickly attached and ready to work. The only complaint I have, and it is a small one, is that it is often hard to make sure you are in C1 or C2 when you slide the switch on, there is not a definitive click and when your hands are cold or you have gloves on it is even harder to make sure the switch is in the right spot. Also make sure you don't forget to switch it back to off and make sure the switch doesn't snag when you are sliding it back into your camera bag. I found this out the hard way the first time I used it. The next morning when I popped it out of my bag, the battery was dead. Now I always carry a couple of extra batteries and double check to make sure the switch is in the "off" position.

Wednesday, March 25, 2009

Recent Portraits


I thank god every day that I have a job doing something I love so much. I am indeed a lucky guy. I recently shots some portraits for a long time client that I really liked, not so much for the lighting as It was one of those photo shoots where you have only a few seconds to photograph each person or group and they just wanted straight forward, uncomplicated lighting, but rather for the moments and emotions I was lucky enough to capture.

I just used two Profoto heads tethered to a Profoto Acute2 1200R. One was in reflective mode at camera right and the other was shot through the umbrella at camera left to help soften up the light a little on the fill side. Like I said nothing complicated.

But even when your lighting is not complicated and the client is not looking for anything to fancy, one should always, always look to get the best possible "moments" when the subject comes to life. But as most photographers know, Photographing people is easy, getting true moments where you connect with your subject, or where something special is happening within the frame you are photographing between the subject and another subject or the subject and the environment they are in, is much more difficult. But it is also much more rewarding when it happens.

It's like the old line, "Dying is easy, it's comedy that is hard". It's difficult to make people laugh as comedy is so subjective and even the best comedians can bomb on any given night. So it is with photographers and photography. It is often very subjective, "one man's junk is another man's treasure". But I think for me the joy is in the journey and always striving, no matter the type or location of any given assignment I may be photographing, to seek out moments and light and enjoy what I am doing.

I have been thinking a lot lately about all the problems in our economy and our country and other countries around the globe for that matter, and I remember the counsel of a wise man who once said to me, "You can choose your attitude, you can choose to be optimistic or pessimistic, the choice is yours" Sure there are things that are out of our control and sometimes the things that others do can make us feel sad, angry or alienated, but as human beings we are still have the ability to choose how we look at things and we can decide if the cup is half full or half empty. So I am working each day in these troubled times to take just a few minutes to stop and reflect on what is positive in my life and to enjoy and be grateful for the "moments". The ones in the photographs I take and the ones in the life that I live.


Utah Jazz player Memhet Okur with wife and daughter


Utah Jazz player Memhet Okur and his daughter

A Lucky fan and the Utah Jazz Dancers

Utah Jazz coach Jerry Sloan and wife

Sunday, February 22, 2009

Larry H Miller


In the few day's since the passing of Larry H. Miller, owner of the Utah Jazz, I have been very busy trying to do my best to tell this important story.

I had a few minutes last night to reflect on his personal impact on my life.

Without Larry, and we all called him that, (I called him Mr. Miller, just once and he shook my hand and said, I'm Larry) I would have never had the opportunity to take photos of my first professional NBA game. I would have never had a chance to photograph my first NBA finals, and I truly believe that without his great vision in putting Salt Lake City, and Utah on the professional sporting scene, the 2002 Winter Olympics would have never come to Utah.

I sent a short email to his son Greg, whom I recently photographed when he took over from his father as CEO, expressing my condolences on his loss. I shared with him that I too had lost my own father at a relatively young age and that it was difficult, but I found myself thinking of him often and the wisdom he had taught me.

Greg's father Larry touched a lot of lives, many more than he ever imagined. I count myself as one of the lucky ones. Rest in peace Larry and may your family find comfort and peace at this time.

Here are a few images that I took at the morning shootaround for the Jazz as they recalled memories of their owner and friend. 




Memhet Okur, Utah Jazz (above)
Deron Williams, Utah Jazz (below)

Matt Harpring of the Utah Jazz (below)

Jerry Sloan, coach of the Utah Jazz, gets emotional while talking about Larry H. Miller (below)

Tuesday, February 17, 2009

The quick portrait shoot-how to

Ron Anderson, Author of a book on Abraham Lincoln.


I recently was given an assignment to take a portrait of Ron Anderson who had written a book on Abraham Lincoln. Rather than just doing the photo in his office, which was the original suggestion I had been given, I had seen a nice bust of Lincoln at the Utah State Capitol while there for a previous assignment. I asked Ron if he had time to ride with me up to the Capitol to take the portrait next to this statue, which I explained to him would make a more dramatic and dynamic portrait. He agreed and I picked him up in front of his office and took him to the Capitol. As is frequently the case with most newspaper portraits, you are very limited on time and thus not able to set up very elaborate lighting schemes.

So for this portrait I took two Canon 580 II EX strobes and I set one up as the main light on top of a light stand with a small Photo Flex softbox and with a 1/4 CTO filter taped over the head of the flash (Camera, left). I then placed the second strobe on a railing at camera right and set the head to zoom to 105mm (giving it a narrow more spotlight type of beam) and focused it on the Statue to give it a little rim light which helped separate it from the background.

Lastly I set my camera (Canon Mark III, lens Canon 16-35mm) on RAW but shot on tungsten color balance. This gave the background a blue tone and with the CTO filter on the main light it kept the flesh tones on the subject warm.

The whole shoot from picking Ron up setting up the lights, taking the photos and returning him to his office took less than 30 minutes. 

I was happy with how the image turned out. Hopefully the subject liked it as well.

Sunday, February 15, 2009

5A swim meet and other fun stuff

It's been a couple of weeks since I last updated  my blog. Here are a few of my favorite photos from the last couple of weeks, in no particular order. Enjoy!!!


Utah Utes get honored before the Utah State Legislature (above). 3A State Swimming Championships (below)




Women's World Cup Skeleton end of season stop in Park City, Utah. (below)





Men's World Cup Skeleton end of the Season stop in Park City, Utah (below)




5A Region One Wrestling Championships. (below)



Gymnastic meet between the University of Utah, BYU, SUU, and Western Texas University at the Huntsman Center in Salt Lake City, Utah. (below)


Krysten Koval of BYU performs on the vault. (above)


Utah's Nina Kim performs on the beam. (above) Melissa Hough of BYU performs on the beam (below)



This photo (below) of Jamie Deetscreek of the University of Utah is from a remote camera that I set up to capture the uneven bars.


LDS President Thomas S. Monson during a small luncheon meeting. (below)


The State 5A Swimming Championships held in Provo, Utah. (below)




Cody Reed of Brighton High school celebrates taking 1st place by 100ths of a second in the 100 Yard Freestyle race at the 5A State Swimming Championships. (above)
Using a slow shutter speed of 1/15 of a second to pan with Sydni Johanson of Skyline High school as she swims to a 1st place finish in the women's 500 Yard Freestyle race at the Utah State 5A swim championships. (below)


That's it folks. Until I post next time.